EKTATHERM 6800/6850 5R PRINT KIT 375 PRT
With KODAK PROFESSIONAL Thermal Print Media, it is just a few easy seconds until print delivery. And resulting prints look and feel like traditional photographs. With vibrant color, smooth continuous tones, and great shadow and highlight details. All from a totally dry process with in-printer lamination ; minimizing time delays, hassles, and cost of post-lamination.
Thermal dye sub prints rival traditional photography in remarkable image quality and appearance, especially with its lamination.
–Durable, water-resistant prints–Long-lasting, fade-resistant output–Unsurpassed photographic-quality prints–Totally dry… no waiting, no post-laminating–Looks and feels like a traditional photograph
State of the art, fully assembled, plumbed, and lab tested temperature regulated sink package. +/- 1/2 degree F 1-7 GPM, vacuum breaker, 4′ armored spray hose, ball valve shut-off. dual scale 3″ thermometer, stainless steel brackets, two valve tempered outlets, 100% chrome brass fittings, 1000 lb. test tubing. Features + 1/2 degree F 1-7 GPM Check stop valves Vacuum breaker 4′ armored spray hose with tempered water source and ball valve shut off Dual scale 3″ thermometer with recalibration screw Includes maintenance log & thermostatic mixer manual Stainless steel brackets Two valve tempered water outlets with 3/4″ GHT fittings, one behind sink for processor hookup. 100% solid copper, chromed brass fittings & armored 1000 lb. test tubing
The Bienfang Masterpiece 250 & 550 Mechanical Press are versatile, dependable and will handle an array of sizes and artistic applications. Both the 250 & 550 models have an easy to read digital display with touch pad controls and pre-set programs.
- Heat Mounting
- Applying Texture
- All have capability of finishing pieces larger than press itself
- Adjustable pressure for materials up to 1″ thick
- Easy to clean platen surfaces
Dichroic Enlarger for All Popular B&W Variable Contrast PapersThe specially designed VCCE system incorporates a unique, dual-range design that provides two separate filtration channels covering all popular variable contrast papers. As filtration is changed, the enlarger automatically introduces the correct amount of neutral density to maintain constant exposure throughout the range of paper grades. This is achieved with state-of-the-art, dichroic cut-off filters which selectively pass certain wavelengths while rejecting others, resulting in a spectrally pure beam of light. The 670VCCE features the same chassis and baseboard as the popular Saunders/LPL 670MXL dichroic and 670CXL triple-condenser enlargers. What's more, the 670VCCE can be purchased as a complete enlarger or lamphouse only, for use on an existing 670-series chassis. Lamphouses are completely interchangeable, without tools. Simply Dial In Filtration – The Enlarger Compensates to Maintain Constant Exposure!The heart of the 670VCCE is its revolutionary lamphouse. Two independent filtration channels allow use of all popular contrast papers: Channel “1” is calibrated for Kodak Polycontrast III, Kodak Polymax and other equivalent variable contrast papers.Channel “2” is calibrated for use with Ilford Multigrade III RC papers, or compatible papers such as Agfa and Oriental.A convenient slide-switch makes channel selection quick and easy. Once the appropriate channel has been chosen, you simply dial in the desired paper grade. Paper grade readout displays are illuminated, stepless and marked in half-grade increments: Channel one displays filtration settings from -1 to 6, Channel Two displays filtration settings from 00 to 5. The unused channel readout is automatically masked to prevent the possibility of error.
Top of the line for medium format black-and-whiteThere's one word for black and white prints made on a condenser enlarger: “snappy”. And none are more crisp than those printed on a 670CXL. Except for the lamphouse, it is identical to the dichroic model (lamphouses are interchangeable and available separately). Though primarily intended for B&W, the CXL is “color-ready” by using the built-in filter drawer to hold color correction (CC) filters or interchanging the lamphouse with a dichroic unit. Priced for the hobbyist, this incredibly rugged enlarger is widely used in schools and for commercial applications. Features A triple condenser design guarantees uniform, corner-to-corner illumination. A lever-operated pressure plate indexes the carrier and keeps negatives flat. A red safety filter is included with the CXL. The filter insert is removable, allowing the holder to be used for under-the-lens filters and accessories. A filter drawer holds filters above the optical path. This eliminates the chance of degrading the image, a risk with under-the-lens filters.