FLASH BRACKET MULTI-POSITION BULK
KALT Flash Multi-Position Flash Bracket – Collapsible with snap lock for right angle and slant positions. Flash shoe adjustable for bounce. Large tightening camera screw. All metal with heavy ribbed rubber base. Hand strap. For 35mm [2″ wide base].
$30.99
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COMMERCIAL 250 PRESS INTERNATIONAL 230V
The Seal 250 Commercial Dry Mount Press is a table-top, heat-activated dry mounting system. It utilizes uniform heat and pressure to mount, laminate, and texturize prints on substrates up to 1″ thick. It comes with direct temperature readout for precise control. Manufacturer’s warranty covers on-site service only.
Note: This item is ONLY wired for 230V, European voltage.
- Fast Operation
- Superior heating system quickly brings the platen to uniform temperature ensuring 100% bonding.
- Extended Temperature Range
- Thermostat control adjusts from 100-300°F (38-150°C) to cover a wide range of operating temperatures.
- Programmed Heating Cycles
- Temperature and time may be set by stored programs in control unit.
- Temperature Readout
- Platen temperature is indicated on LED display on top of unit.
- Cycle Time Readout
- Remaining time in the cycle is displayed.
- Oversize Capacity
- Design allows processing of materials larger than the press platen by sliding the work side-to-side or out of the front or back of the press.
- Extra-Wide Opening
- Opens a full 9″ (23 cm) for 550 and 10″ (25 cm) for 250 to provide easy access to platen surface
- Easy Pressure Adjustment
- Pressure adjusts and locks in seconds to accept materials up to 1″ (25mm) thick.
- Non-Stick Surface
- Platen surface is specially coated to help keep adhesives from sticking.
- Free-Floating Platen
- Seats evenly on the work without shifting to provide uniform pressure across the entire surface
- Rugged Construction
- Steel cantilevers increase durability and allow maximum pressure on work within the press; metal top and base construction adds ruggedness.
JUMBO 160M – 115V
The Bienfang 160M is a high-quality, intermediate-sized press designed for professional dry mounting, laminating and texturing by professional photographers, artists, and educators
The Seal 160M Jumbo press is a table-top, heat-activated dry mounting system that utilizes heat and pressure to mount, laminate and texturize prints on substrates up to 1″ thick. Direct temperature readout for precise control. 115V, 8.3amps, 1000W. Manufacturer’s warranty covers on-site service only.
- Develops 860 lbs. pressure on its large 18.5 x 15.5″ platen
- Free floating platen doesn’t shift
- Extra-wide opening
- Simple pressure adjustments
- Extended temperature range thermostatically controlled from 150-350F degrees
- Non-stick platen
MODEL RELEASE CARDS PACK OF 25 PRV LBL
Model release short form on handy 3″ x 5″ cards. Easy to carry on assignments. Just stick in your camera bag. Pack of 25.
36 X 48 Table 4-40 Watt 5000k Oak Porta-Trace (OVERSIZE)
“The tough stainless steel frame and the thick plexi-glass top team together to provide a durable tool for all your applications for years to come. Features bright, even lighting. “
670CXL Triple Condenser Enlarger
Top of the line for medium format black-and-whiteThere's one word for black and white prints made on a condenser enlarger: “snappy”. And none are more crisp than those printed on a 670CXL. Except for the lamphouse, it is identical to the dichroic model (lamphouses are interchangeable and available separately). Though primarily intended for B&W, the CXL is “color-ready” by using the built-in filter drawer to hold color correction (CC) filters or interchanging the lamphouse with a dichroic unit. Priced for the hobbyist, this incredibly rugged enlarger is widely used in schools and for commercial applications. Features A triple condenser design guarantees uniform, corner-to-corner illumination. A lever-operated pressure plate indexes the carrier and keeps negatives flat. A red safety filter is included with the CXL. The filter insert is removable, allowing the holder to be used for under-the-lens filters and accessories. A filter drawer holds filters above the optical path. This eliminates the chance of degrading the image, a risk with under-the-lens filters.
