FUSION 4000 48-1/2X90 FT. (OVERSIZE)
Fusion 4000 is a pure, ultra-clear, thermal-activated, 100% inert adhesive film that melts during heating, bonds as it cools and is removable when reheated. It can be used to mount lithographs, newsprint, photographs, art papers, engravings, silk, canvas, foils and other papers. It also is ideal for mounting different shapes and sizes.
Available on backorder
The Seal 210M Dry Mount Press is a table-top, heat-activated dry mounting system. It utilizes uniform heat and pressure to mount, laminate and texturize prints on substrates up to 1″ thick. Comes with a direct temperature readout for precise control. Manufacturer’s warranty covers on-site service only.
|Platen Size||23 x 18.5″ / 58.4 x 47 cm|
|Maximum Thickness||1″ / 2.5 cm|
|Temperature Range||150 to 300°F / 65 to 149°C|
|Dimensions||W: 27 x D: 23 x H: 11 to 20″ / W: 66 x D: 58.4 x H: 27.9 to 50.8 cm|
Dichroic Enlarger for All Popular B&W Variable Contrast PapersThe specially designed VCCE system incorporates a unique, dual-range design that provides two separate filtration channels covering all popular variable contrast papers. As filtration is changed, the enlarger automatically introduces the correct amount of neutral density to maintain constant exposure throughout the range of paper grades. This is achieved with state-of-the-art, dichroic cut-off filters which selectively pass certain wavelengths while rejecting others, resulting in a spectrally pure beam of light. The 670VCCE features the same chassis and baseboard as the popular Saunders/LPL 670MXL dichroic and 670CXL triple-condenser enlargers. What's more, the 670VCCE can be purchased as a complete enlarger or lamphouse only, for use on an existing 670-series chassis. Lamphouses are completely interchangeable, without tools. Simply Dial In Filtration – The Enlarger Compensates to Maintain Constant Exposure!The heart of the 670VCCE is its revolutionary lamphouse. Two independent filtration channels allow use of all popular contrast papers: Channel “1” is calibrated for Kodak Polycontrast III, Kodak Polymax and other equivalent variable contrast papers.Channel “2” is calibrated for use with Ilford Multigrade III RC papers, or compatible papers such as Agfa and Oriental.A convenient slide-switch makes channel selection quick and easy. Once the appropriate channel has been chosen, you simply dial in the desired paper grade. Paper grade readout displays are illuminated, stepless and marked in half-grade increments: Channel one displays filtration settings from -1 to 6, Channel Two displays filtration settings from 00 to 5. The unused channel readout is automatically masked to prevent the possibility of error.
EKTACOLOR RA Bleach-Fix and Replenisher NR / Part B To make 208 gal
Top of the line for medium format black-and-whiteThere's one word for black and white prints made on a condenser enlarger: “snappy”. And none are more crisp than those printed on a 670CXL. Except for the lamphouse, it is identical to the dichroic model (lamphouses are interchangeable and available separately). Though primarily intended for B&W, the CXL is “color-ready” by using the built-in filter drawer to hold color correction (CC) filters or interchanging the lamphouse with a dichroic unit. Priced for the hobbyist, this incredibly rugged enlarger is widely used in schools and for commercial applications. Features A triple condenser design guarantees uniform, corner-to-corner illumination. A lever-operated pressure plate indexes the carrier and keeps negatives flat. A red safety filter is included with the CXL. The filter insert is removable, allowing the holder to be used for under-the-lens filters and accessories. A filter drawer holds filters above the optical path. This eliminates the chance of degrading the image, a risk with under-the-lens filters.