LINTLESS DARKROOM GLOVES (100 DOZEN PAIRS–BULK)
White, lintless cotton gloves to use when youre handling negatives or slides. Never see a fingerprint again. Adult size.
“The tough stainless steel frame and the thick plexi-glass top team together to provide a durable tool for all your applications for years to come. Features bright, even lighting. “
State of the art, fully assembled, plumbed, and lab tested temperature regulated sink package. +/- 1/2 degree F 1-7 GPM, vacuum breaker, 4′ armored spray hose, ball valve shut-off. dual scale 3″ thermometer, stainless steel brackets, two valve tempered outlets, 100% chrome brass fittings, 1000 lb. test tubing. Features + 1/2 degree F 1-7 GPM Check stop valves Vacuum breaker 4′ armored spray hose with tempered water source and ball valve shut off Dual scale 3″ thermometer with recalibration screw Includes maintenance log & thermostatic mixer manual Stainless steel brackets Two valve tempered water outlets with 3/4″ GHT fittings, one behind sink for processor hookup. 100% solid copper, chromed brass fittings & armored 1000 lb. test tubing
The Seal 5298H Vacuum Dry Mount Press is another leap forward for the Seal/Bienfang company. As the leading company for photo finishing and mounting, Seal has produced a dry mount press that also pre-dries your board, thereby saving time. This press can handle big jobs and handles multiple pieces at the same time.
Bienfang Vacuum Presses are designed to automatically control the four main variables of mounting: moisture, pressure temperature and time. This assures consistent results. There are two simple ways to operate the Vacuum Press: by setting each control individually or by using convenient programmed settings. Some settings are preset at the factory but you can also set your own programs for procedures you conduct repeatedly.
Platen temperature is maintained at +/- 2° F of the set temperature. Manufacturer’s warranty covers on-site service only.
The KSE-250i is the newest film cleaner from Kinetronics. The KSE-250i is designed to clean up to 10″ or 250mm wide. The KSE-250i has electronic ionization, four anti-static brushes and filtered air. The high-tech cleaner has six titanium emitters to create clouds of ions that dissipate static charges on film. Dust and debris are then smoothly whisked off the film, which insures crisp, sharp images and scans.
The KSE-250i is designed for use by digital labs, aerial photographers and fine art photographers. It has been engineered to be a tough “work horse” with a steel cabinet, state of the art low-voltage circuit design and a ball bearing fan. The machine operates on 12 volts DC and uses a universal power supply with input from 90 VAC to 240 VAC in either 50 or 60 Hz. For correct power cord please specify the country of use. The KSE-250i is sold with a one-year warranty.
LENGTH: 14″ or 356mm
WIDTH: 4 1/4″ or 105mm
HEIGHT: 4 1/2″ or 114mm
WEIGHT: 5.3 lbs or 2.4 kg.
SHIPPING WEIGHT: 6 lbs. or 2.75 kg.
Dichroic Enlarger for All Popular B&W Variable Contrast PapersThe specially designed VCCE system incorporates a unique, dual-range design that provides two separate filtration channels covering all popular variable contrast papers. As filtration is changed, the enlarger automatically introduces the correct amount of neutral density to maintain constant exposure throughout the range of paper grades. This is achieved with state-of-the-art, dichroic cut-off filters which selectively pass certain wavelengths while rejecting others, resulting in a spectrally pure beam of light. The 670VCCE features the same chassis and baseboard as the popular Saunders/LPL 670MXL dichroic and 670CXL triple-condenser enlargers. What's more, the 670VCCE can be purchased as a complete enlarger or lamphouse only, for use on an existing 670-series chassis. Lamphouses are completely interchangeable, without tools. Simply Dial In Filtration – The Enlarger Compensates to Maintain Constant Exposure!The heart of the 670VCCE is its revolutionary lamphouse. Two independent filtration channels allow use of all popular contrast papers: Channel “1” is calibrated for Kodak Polycontrast III, Kodak Polymax and other equivalent variable contrast papers.Channel “2” is calibrated for use with Ilford Multigrade III RC papers, or compatible papers such as Agfa and Oriental.A convenient slide-switch makes channel selection quick and easy. Once the appropriate channel has been chosen, you simply dial in the desired paper grade. Paper grade readout displays are illuminated, stepless and marked in half-grade increments: Channel one displays filtration settings from -1 to 6, Channel Two displays filtration settings from 00 to 5. The unused channel readout is automatically masked to prevent the possibility of error.