METAL LENS HOOD – 52MM BULK
KALT METAL LENS HOODS – SCREW ON METAL HOOD FOR STAND AND TELEPHONE LENSES.
The Seal 210M Dry Mount Press is a table-top, heat-activated dry mounting system. It utilizes uniform heat and pressure to mount, laminate and texturize prints on substrates up to 1″ thick. Comes with a direct temperature readout for precise control. Manufacturer’s warranty covers on-site service only.
|Platen Size||23 x 18.5″ / 58.4 x 47 cm|
|Maximum Thickness||1″ / 2.5 cm|
|Temperature Range||150 to 300°F / 65 to 149°C|
|Dimensions||W: 27 x D: 23 x H: 11 to 20″ / W: 66 x D: 58.4 x H: 27.9 to 50.8 cm|
Top of the line for medium format black-and-whiteThere's one word for black and white prints made on a condenser enlarger: “snappy”. And none are more crisp than those printed on a 670CXL. Except for the lamphouse, it is identical to the dichroic model (lamphouses are interchangeable and available separately). Though primarily intended for B&W, the CXL is “color-ready” by using the built-in filter drawer to hold color correction (CC) filters or interchanging the lamphouse with a dichroic unit. Priced for the hobbyist, this incredibly rugged enlarger is widely used in schools and for commercial applications. Features A triple condenser design guarantees uniform, corner-to-corner illumination. A lever-operated pressure plate indexes the carrier and keeps negatives flat. A red safety filter is included with the CXL. The filter insert is removable, allowing the holder to be used for under-the-lens filters and accessories. A filter drawer holds filters above the optical path. This eliminates the chance of degrading the image, a risk with under-the-lens filters.
Dichroic Enlarger for All Popular B&W Variable Contrast PapersThe specially designed VCCE system incorporates a unique, dual-range design that provides two separate filtration channels covering all popular variable contrast papers. As filtration is changed, the enlarger automatically introduces the correct amount of neutral density to maintain constant exposure throughout the range of paper grades. This is achieved with state-of-the-art, dichroic cut-off filters which selectively pass certain wavelengths while rejecting others, resulting in a spectrally pure beam of light. The 670VCCE features the same chassis and baseboard as the popular Saunders/LPL 670MXL dichroic and 670CXL triple-condenser enlargers. What's more, the 670VCCE can be purchased as a complete enlarger or lamphouse only, for use on an existing 670-series chassis. Lamphouses are completely interchangeable, without tools. Simply Dial In Filtration – The Enlarger Compensates to Maintain Constant Exposure!The heart of the 670VCCE is its revolutionary lamphouse. Two independent filtration channels allow use of all popular contrast papers: Channel “1” is calibrated for Kodak Polycontrast III, Kodak Polymax and other equivalent variable contrast papers.Channel “2” is calibrated for use with Ilford Multigrade III RC papers, or compatible papers such as Agfa and Oriental.A convenient slide-switch makes channel selection quick and easy. Once the appropriate channel has been chosen, you simply dial in the desired paper grade. Paper grade readout displays are illuminated, stepless and marked in half-grade increments: Channel one displays filtration settings from -1 to 6, Channel Two displays filtration settings from 00 to 5. The unused channel readout is automatically masked to prevent the possibility of error.
The Seal 5298H Vacuum Dry Mount Press is another leap forward for the Seal/Bienfang company. As the leading company for photo finishing and mounting, Seal has produced a dry mount press that also pre-dries your board, thereby saving time. This press can handle big jobs and handles multiple pieces at the same time.
Bienfang Vacuum Presses are designed to automatically control the four main variables of mounting: moisture, pressure temperature and time. This assures consistent results. There are two simple ways to operate the Vacuum Press: by setting each control individually or by using convenient programmed settings. Some settings are preset at the factory but you can also set your own programs for procedures you conduct repeatedly.
Platen temperature is maintained at +/- 2° F of the set temperature. Manufacturer’s warranty covers on-site service only.
The Scorpion rig is the ultimate solution to DSLR shoulder mounted shooting with an EVF. At the center of the Scorpion is our highly adjustable DSLR Baseplate, which allows you to mount any DSLR to the rig and mount your rig onto a tripod. The baseplate attaches to your tripod using the standard tripod plate screws; (2) 1/4 20 and (1) 3/8 16. You can also easily quick release your camera from the rig by turning the red knob on the side of the baseplate and pulling up on your camera. This unique feature allows you to quickly switch between using the camera on its own or as part of your rig.
Our new curved form-fitting silicone gel shoulder pad connects to the back of the baseplate via two 2 M/F rods. The rods screw into the back of the DSLR baseplate and connect to the front of the shoulder pad via 15mm quick release ports, making the switch from shoulder mount to tripod use quick and easy. The Scorpion Shoulder Assembly also features an innovative ball joint built into the front of the shoulder pad. This allows the entire shoulder pad assembly to articulate in multiple directions so shooters can angle it to fit their body for individual comfort. This should be done with one hand while the kit is on your shoulder. The ball joint is released and secured by the red top lever.
The Scorpion can be used on your left or right shoulder. The Scorpion shoulder assembly also has a built in top handle for placing and removing it from your shoulder, low mode shooting and easy carrying. The handle can be positioned up or set down into the shoulder pad for storage with the turn of a Zacuto quick release lever.
The Scorpion kit is finished off with a 7lb Z-lite counterbalance and Zgrips V3 with 4.5 rods. With the shoulder pad and counterbalance weight coming directly off of the back of the baseplate, the rig is perfectly in-line with the camera and ready to be used with one of our EVFs or an on-board monitor for traditional ENG style shooting. You can mount your EVF or monitor to the side of the rig using the included EVF mount.
-DSLR Baseplate with (2) sets of 3.5″ M/F Rods
-Scorpion Shoulder Assembly
-Zgrips V3 with 4.5″ Rods
-EVF Scorpion Mount