Canon N3 cable
This cable allows you to connect the following cameras to your GigaPan EPIC PRO model.
- Compatible with the device under shutter release mode:Canon EOS: 1D series, 5D series, 7D, 50D, 40D. 30D, 20D, 10D.
Dust-Off Chrome Valve
“Great for computers, monitors, laser printers, fax machines, copiers, keyboards, photo equipment, or any other dust collecting surface or hard to reach area. Chrome nozzle available separately. 100% Ozone Safe!”
Red Filter Assembly
This Omega Below the Lens Red Filter Assembly fits below the lens on your LPL/Saunders enlarger. Simply swing the filter in place and you can position your black & white paper under a safe working light.
Marshall’s Advanced Oil Set – 20 oil set
Contains 20 assorted* 1/2″ x 2″ tubes of oil color, 1oz. bottle of Marlene, skewers, cotton and instructions for use with black and white and color photographs. *Colors may vary based on availability
SDS – Cobalt Violet Extra Strong
SDS – Cadmium Yellow Extra Strong
SDS – Oxide Green Extra Strong
Novatron N2100C – STANDARD (FULL POWER) HEAD WITH 15 FOOT CABLE
Our 2100 C Standard Flash Head is exactly what many Novatron users are looking for as a main light source. The convenient 15-foot cable keeps the light source close to the power pack and camera while the shooting space remains neat and organized.
Since it’s your main light it requires no switching options.
It has :
· 1000 watt-second flash tube
· 100 watt Tungsten incandescent modeling lamp
· solid aluminum mounting bracket with large knobs for securing the bracket to a light stand or boom.
· The mounting bracket is equipped with a mounting receptacle for an umbrella.
The universal adaptor base permits the heads to mount on a 5/8″ stud, which is typical for professional use. When used with the optional #4041 adaptor it can mount to a 3/8″ stud of lighter weight stand.
Flash Tube: 1000 watt-sec, 5500° Kelvin
Modeling Lamp: #4101, 100 watt incandescent
Cable Length: 15 Feet
Weight: 4 lbs 7 oz
Size: 6-1/2″ W x 5″ D x 5-1/2″ H
Gafftac Gaffers Tape
- Non-Reflective
- Natural Rubber Adhesive
- Hand Tearable
- Residue-Free Removal
- Water, Vapor, & Abrasion Resistant
Linhof 21″CABLE RELEASE WITH T-L,Q/NIP
The Linhof cable releases are ridiculously well made and built to last-one often encounters perfectly operational Linhof releases upon the secondhand market, manufactured more than half a century ago and with many thousands of exposures under their belt.  They have a particularly long, strong throw.  In fact, they are amongst a very short list of cable releases which can trigger Copal Press shutters(which release and cock again all in one action, requiring more force) with crisp reliability.
The 002431 is a 21″ (53 cm) cable release that helps prevent camera shake for super telephoto shots, macrophotography and bulb exposures.  Cable releases are also quite handy for taking pictures of difficult-to-approach subjects as well as minimizing vibrations with closeup and lengthy timed exposures.
- Rotating nipple
- Durable coated finish resistant to moisture & dust
- Broad, well-contoured plunger design
- Classic T-lock mechanism
Retouching Color – Foliage Green
Marshalls Liquid Retouching Colors are self-blending and can be applied over each other until desired shades are reached. For color and black and white prints and transparencies.
Cadmium Orange – 3/4 in. x 4 in. tube
Discover the diversity and satisfaction of direct image enhancement via hand applied altered techniques on prints film transparencies negatives and other surfaces. The merging of painting techniques with your own photographic imagery enables you to artistically attain the best of both worlds creating Colorful Creations to cherish yourself or share with others. Marshall products may be used alone in combination of any of these methods BR• Toning-Airbrushing BR• Overlaying of oil colors on toned retouched prints to produce other colored effects BR• Applying Photo Pencils over in combination with Photo Oils BR• Applying Photo Oil colors over Spot-All Dyes after liquid has dried BR• Applying oils in a light to heavy range with brush palette knife. BR• And always remember to prepare glossy prints with Marshalls Pre-Color Spray.
Grayed Background Blue – 3/4 in. x 4 in. tube
Discover the diversity and satisfaction of direct image enhancement via hand applied altered techniques on prints film transparencies negatives and other surfaces. The merging of painting techniques with your own photographic imagery enables you to artistically attain the best of both worlds creating Colorful Creations to cherish yourself or share with others. Marshall products may be used alone in combination of any of these methods BR• Toning-Airbrushing BR• Overlaying of oil colors on toned retouched prints to produce other colored effects BR• Applying Photo Pencils over in combination with Photo Oils BR• Applying Photo Oil colors over Spot-All Dyes after liquid has dried BR• Applying oils in a light to heavy range with brush palette knife. BR• And always remember to prepare glossy prints with Marshalls Pre-Color Spray.
Burnt Sienna – 3/4 in. x 4 in. tube
Discover the diversity and satisfaction of direct image enhancement via hand applied altered techniques on prints film transparencies negatives and other surfaces. The merging of painting techniques with your own photographic imagery enables you to artistically attain the best of both worlds creating Colorful Creations to cherish yourself or share with others. Marshall products may be used alone in combination of any of these methods BR• Toning-Airbrushing BR• Overlaying of oil colors on toned retouched prints to produce other colored effects BR• Applying Photo Pencils over in combination with Photo Oils BR• Applying Photo Oil colors over Spot-All Dyes after liquid has dried BR• Applying oils in a light to heavy range with brush palette knife. BR• And always remember to prepare glossy prints with Marshalls Pre-Color Spray.
Selenium Toning Concentrate Solution
The use of Berg Selenium Toning Solution on warm tone papers results in reddish brown tones on toning when immersed 2 to 10 minutes. The use of Berg Selenium Toning Solution on warm tone papers results in reddish brown tones on toning for 2 to 10 minutes in Berg Selenium Toning Solution, diluted 1 part toner to 3 parts of water (1:3). Other papers may give little or no color change. To avoid color change, but protect the image and increase D?max (deepen dark blacks and increase contrast somewhat), dilute 1 part toner with 10 to 30 parts of water, and tone for about 2 to 10 minutes. After toning, use fresh Berg Bath solution and wash thoroughly to achieve maximum archival protection.