ROYAL GENERATIONS PAPER 5 IN X 511.81 FT ROLLL 12.7CM X 156M ROLL
Kodak Royal Generations Paper is an exceptional color negative paper for making color prints from color negatives. It delivers bold, saturated colors, superior print longevity, and is designed to work well in both optical and digital imaging systems. It replaces Kodak Ektacolor Royal VII Paper, Kodak Ektacolor Royal VIII Paper, and Kodak Ektacolor Royal IX Paper.
Improved digital printing – Improved detail and cleaner text; more robust calibration
Enhanced tone scale – Improved flesh to neutral; warmer highlights
Royal Generations Paper is easily identified by its thicker support, which provides durability in handling, and by its distinctive gold “Kodak Royal Paper” watermark
Compared to Ektacolor Royal VII Paper, this paper features the following improvements:
Increased color saturation – Richer, brighter, more compelling colors; More vibrant greens, blues, and reds
New raw stock color – Easier printer setup and focus
State-of-the-art image stability – Improved light stability – Over 100 years before noticeable fading in typical home display; Significantly improved dark stability – Over 200 years before noticeable fading in the most common home storage conditions; Bold, bright colors that last longer
Technology optimized for Kodak Films – The best possible prints from Kodak Max, Gold, Royal Gold and Advantix Films; Versatility to provide great results with other manufacturers’ negative films
Improved process performance – Improved resistance to abrasion marks during process; Less waste; Reduced process sensitivity to leuco cyan dye in the bleach-fix (less than pH 6.2)
The Seal 210MDry Mount Press is a table-top, heat-activated dry mounting system. It utilizes uniform heat and pressure to mount, laminate and texturize prints on substrates up to 1″ thick. Comes with a direct temperature readout for precise control. Manufacturer’s warranty covers on-site service only.
Develops 1200 pounds of pressure on its 18.5 x 23″ (47 x 58cm) platen
Free-floating platen seats the work without shifting and provides uniform pressure across the entire surface
Extended temperature range thermostatically controlled from 150-300ºF (66-149ºC)
Non-stick surface on platen
23 x 18.5″ / 58.4 x 47 cm
1″ / 2.5 cm
150 to 300°F / 65 to 149°C
W: 27 x D: 23 x H: 11 to 20″ / W: 66 x D: 58.4 x H: 27.9 to 50.8 cm
The Scorpion rig is the ultimate solution to DSLR shoulder mounted shooting with an EVF. At the center of the Scorpion is our highly adjustable DSLR Baseplate, which allows you to mount any DSLR to the rig and mount your rig onto a tripod. The baseplate attaches to your tripod using the standard tripod plate screws; (2) 1/4 20 and (1) 3/8 16. You can also easily quick release your camera from the rig by turning the red knob on the side of the baseplate and pulling up on your camera. This unique feature allows you to quickly switch between using the camera on its own or as part of your rig.
Our new curved form-fitting silicone gel shoulder pad connects to the back of the baseplate via two 2 M/F rods. The rods screw into the back of the DSLR baseplate and connect to the front of the shoulder pad via 15mm quick release ports, making the switch from shoulder mount to tripod use quick and easy. The Scorpion Shoulder Assembly also features an innovative ball joint built into the front of the shoulder pad. This allows the entire shoulder pad assembly to articulate in multiple directions so shooters can angle it to fit their body for individual comfort. This should be done with one hand while the kit is on your shoulder. The ball joint is released and secured by the red top lever.
The Scorpion can be used on your left or right shoulder. The Scorpion shoulder assembly also has a built in top handle for placing and removing it from your shoulder, low mode shooting and easy carrying. The handle can be positioned up or set down into the shoulder pad for storage with the turn of a Zacuto quick release lever.
The Scorpion kit is finished off with a 7lb Z-lite counterbalance and Zgrips V3 with 4.5 rods. With the shoulder pad and counterbalance weight coming directly off of the back of the baseplate, the rig is perfectly in-line with the camera and ready to be used with one of our EVFs or an on-board monitor for traditional ENG style shooting. You can mount your EVF or monitor to the side of the rig using the included EVF mount.
Scorpion Includes: -DSLR Baseplate with (2) sets of 3.5″ M/F Rods -Scorpion Shoulder Assembly -Zgrips V3 with 4.5″ Rods -Z-Lite Double -EVF Scorpion Mount
The Seal 250 Commercial Dry Mount Press is a table-top, heat-activated dry mounting system. It utilizes uniform heat and pressure to mount, laminate, and texturize prints on substrates up to 1″ thick. It comes with direct temperature readout for precise control. Manufacturer’s warranty covers on-site service only.
Note:This item is ONLY wired for 230V, European voltage.
Superior heating system quickly brings the platen to uniform temperature ensuring 100% bonding.
Extended Temperature Range
Thermostat control adjusts from 100-300°F (38-150°C) to cover a wide range of operating temperatures.
Programmed Heating Cycles
Temperature and time may be set by stored programs in control unit.
Platen temperature is indicated on LED display on top of unit.
Cycle Time Readout
Remaining time in the cycle is displayed.
Design allows processing of materials larger than the press platen by sliding the work side-to-side or out of the front or back of the press.
Opens a full 9″ (23 cm) for 550 and 10″ (25 cm) for 250 to provide easy access to platen surface
Easy Pressure Adjustment
Pressure adjusts and locks in seconds to accept materials up to 1″ (25mm) thick.
Platen surface is specially coated to help keep adhesives from sticking.
Seats evenly on the work without shifting to provide uniform pressure across the entire surface
Steel cantilevers increase durability and allow maximum pressure on work within the press; metal top and base construction adds ruggedness.
Top of the line for medium format black-and-whiteThere's one word for black and white prints made on a condenser enlarger: “snappy”. And none are more crisp than those printed on a 670CXL. Except for the lamphouse, it is identical to the dichroic model (lamphouses are interchangeable and available separately). Though primarily intended for B&W, the CXL is “color-ready” by using the built-in filter drawer to hold color correction (CC) filters or interchanging the lamphouse with a dichroic unit. Priced for the hobbyist, this incredibly rugged enlarger is widely used in schools and for commercial applications. Features A triple condenser design guarantees uniform, corner-to-corner illumination. A lever-operated pressure plate indexes the carrier and keeps negatives flat. A red safety filter is included with the CXL. The filter insert is removable, allowing the holder to be used for under-the-lens filters and accessories. A filter drawer holds filters above the optical path. This eliminates the chance of degrading the image, a risk with under-the-lens filters.
The Bienfang Masterpiece 250 & 550 Mechanical Press are versatile, dependable and will handle an array of sizes and artistic applications. Both the 250 & 550 models have an easy to read digital display with touch pad controls and pre-set programs.
All have capability of finishing pieces larger than press itself