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CABLE RELEASE – 20″ PRO VINYL WITH AUTO LOCK
Plastic wing grip, metal woven with clear plastic cover, brown rayon material, with automatic lock for time exposures.
$32.60
Out of stock
| Weight | 25 lbs |
|---|
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TRP The Sink II 72″x32″x13″, Black – OVERSIZE (OVERSIZE)
**OVERSIZE**
State-of-the-Art, fully assembled, plumbed, and lab tested. One Year LTD Warranty on Water Controls. plus or minus1/2 degree G, 1-7 GPM Mixer. Check stop valves. Vacuum breaker. Dual scale 3″ thermometer with recalibration screw. 4 Ft. armored spray hose. Includes Thermostatic mixer manual. Stainless steel brackets. Three valves tempered and one untempered water outlets with 3/4″ GHT fittings. 100% plated brass fittings and stainless steel armored 1000 lb. test tubing. 72″ x 32″ x 13″
WIDE FORMAT ANTI-STATIC IONIZING FILM CLEANER
The KSE-250i is the newest film cleaner from Kinetronics. The KSE-250i is designed to clean up to 10″ or 250mm wide. The KSE-250i has electronic ionization, four anti-static brushes and filtered air. The high-tech cleaner has six titanium emitters to create clouds of ions that dissipate static charges on film. Dust and debris are then smoothly whisked off the film, which insures crisp, sharp images and scans.
The KSE-250i is designed for use by digital labs, aerial photographers and fine art photographers. It has been engineered to be a tough “work horse” with a steel cabinet, state of the art low-voltage circuit design and a ball bearing fan. The machine operates on 12 volts DC and uses a universal power supply with input from 90 VAC to 240 VAC in either 50 or 60 Hz. For correct power cord please specify the country of use. The KSE-250i is sold with a one-year warranty.
SPECIFICATIONS
LENGTH: 14″ or 356mm
WIDTH: 4 1/4″ or 105mm
HEIGHT: 4 1/2″ or 114mm
WEIGHT: 5.3 lbs or 2.4 kg.
SHIPPING WEIGHT: 6 lbs. or 2.75 kg.
JUMBO 160M – 115V
The Bienfang 160M is a high-quality, intermediate-sized press designed for professional dry mounting, laminating and texturing by professional photographers, artists, and educators
The Seal 160M Jumbo press is a table-top, heat-activated dry mounting system that utilizes heat and pressure to mount, laminate and texturize prints on substrates up to 1″ thick. Direct temperature readout for precise control. 115V, 8.3amps, 1000W. Manufacturer’s warranty covers on-site service only.
- Develops 860 lbs. pressure on its large 18.5 x 15.5″ platen
- Free floating platen doesn’t shift
- Extra-wide opening
- Simple pressure adjustments
- Extended temperature range thermostatically controlled from 150-350F degrees
- Non-stick platen
COMMERCIAL 210M – 115V
The Seal 210M Dry Mount Press is a table-top, heat-activated dry mounting system. It utilizes uniform heat and pressure to mount, laminate and texturize prints on substrates up to 1″ thick. Comes with a direct temperature readout for precise control. Manufacturer’s warranty covers on-site service only.
| Platen Size | 23 x 18.5″ / 58.4 x 47 cm |
| Maximum Thickness | 1″ / 2.5 cm |
| Temperature Range | 150 to 300°F / 65 to 149°C |
| Dimensions | W: 27 x D: 23 x H: 11 to 20″ / W: 66 x D: 58.4 x H: 27.9 to 50.8 cm |
670CXL Triple Condenser Enlarger
Top of the line for medium format black-and-whiteThere's one word for black and white prints made on a condenser enlarger: “snappy”. And none are more crisp than those printed on a 670CXL. Except for the lamphouse, it is identical to the dichroic model (lamphouses are interchangeable and available separately). Though primarily intended for B&W, the CXL is “color-ready” by using the built-in filter drawer to hold color correction (CC) filters or interchanging the lamphouse with a dichroic unit. Priced for the hobbyist, this incredibly rugged enlarger is widely used in schools and for commercial applications. Features A triple condenser design guarantees uniform, corner-to-corner illumination. A lever-operated pressure plate indexes the carrier and keeps negatives flat. A red safety filter is included with the CXL. The filter insert is removable, allowing the holder to be used for under-the-lens filters and accessories. A filter drawer holds filters above the optical path. This eliminates the chance of degrading the image, a risk with under-the-lens filters.
